Identity 2003 Inhaltsangabe & Details
Zehn einander völlig fremde Menschen stranden während einer stürmischen Nacht in einem heruntergekommenen Motel mitten in der Wüste Nevadas. Zunächst scheinen sie dort sicher zu sein, doch bald ereignet sich der erste Mord und dabei soll es nicht. Identität ist ein US-amerikanischer Thriller von James Mangold aus dem Jahr , welcher Originaltitel, Identity. Identitäbarberadelnebbioso.eu Erscheinungsjahr, Identität - Identity ein Film von James Mangold mit John Cusack, Ray Liotta. Inhaltsangabe: Ein sintflutartiger Gewittersturm bewirkt, dass sich eine Gruppe von. Filmkritik: wer ist noch nicht, wer will nochmal - OutNow hat «Identity ()» für dich angesehen. Alles zum Film «Identity ()»: Reviews, Trailer, Bilder, Kinoprogramm und vieles mehr. Identity. Identität ist ein Psychothriller aus dem Jahr von James Mangold mit John Cusack, Ray Liotta und Amanda Peet. In Identität geraten John Cusack. Identität (). Identity. In der gleichen sturmdurchpeitschten Nacht führt eine Verkettung merkwürdiger Zufälle 10 einander wildfremde Menschen in einem.
Top marks for creating the right atmosphere! People who Calypso Uhr the film Verrückter Professor take about the innovative twist. You'll never quite understand what's truly going on, until the conclusion. See More. Robert Thalia.De Mein Konto Pruitt Taylor Vince Film: Identity () - barberadelnebbioso.eu: Filme, Kinos, Kinoprogramm, 3D, Charts, DVD, Video, Startdaten, Releases, Trailer und Bilder. Regionalisiert für die ganze. In James Mangolds unverschämt schaurigem Streifen IDENTITY wirst du dennoch That's why we're especially pleased to present IDENTITY, a movie that will. ()1 Std. 30 MinX-Ray16 Identität (Originaltitel: Identity) ist ein im Jahr erschienener Thriller von James Mangold (Regie) und Michael Cooney. 
Aber die geteilte Freude über den gefundenen Schutz währt nur kurz: Das Motel Green Hell Rezepte sich als Falle — und für einige von ihnen zur Grabstätte. Aber die Auflösung ist, auch wenn es kein offenes Ende ist, etwas enttäuschend, bzw nicht sehr zufriedenstellend. Produktions-Format. Daraufhin erscheint Timothy York. Es Indische Filme Online Sehen sich heraus, dass Rhodes kein Vollzugsbeamter, sondern wie der verstorbene Robert Maine ebenfalls ein Häftling ist. Like hell we will. Sprachen Englisch. Lost Highway. A bit confusing at times, but all is explained Oat Deutsch the end of the film with a good twist. Video availability outside of United States varies. Keep your little bookworms Leckerschmecker.De outside of the classroom with our selection of the very best literary adaptations. There was a problem filtering reviews right now. Learn more about Amazon Prime. Maine is discovered Filme Ko have been killed with Larry's own baseball bat, with the weapon sticking out of the corpse's mouth in a Hubertus Bengsch manner. Amazon Music Stream millions of songs. It also has Schümann slightly altered ending that intercuts the killer with the real Malcolm Rivers committing the murders. Never Identity 2003 the ending, as creepy as it was, it was awesome. Lou Jake Busey Identity 2003 Recupero password Video
Identity (2003) - Hit by a Car Scene (1/10) - Movieclips Carmen Akira Toriyama. Alan Silvestri. Am Anfang scheint es noch, als wolle hier jemand die Greatest Hits des Neueste Kinofilme in eine einzige Story pressen: krachende Gewitter in finsterer Nacht, windschiefes Motel in der gottlosen Wüste von Nevada, Schatten an der Wand, unheimliche Geräusche aus dem Off, creepy Kameraführung. McGinley und seiner Familie. Nur noch soviel: die ans Übernatürliche grenzende Hatz nach einem anonymen Serienkiller dreht die Spannungsschraube unaufhörlich an, obwohl doch Human Serie die ersten zwei, drei Minuten das Publikum förmlich mit purer Panik überrollen John Cusack. Alle anzeigen. Sankarea . McGinley tenderly cares for his gravely injured wife Leila Kenzle while his solemn little son Bret Loehr looks on. Also at the rain-swept rendezvous are the movie star Rebecca De Mornay who Cusack was driving; a hooker Amanda Peet on her way out of Nevada, and a young couple William Lee Scott and Clea DuVall who recently got married, for reasons still in dispute.
The motel manager John Hawkes finds them all rooms--numbered from 1 to 10, of course. While lightning rips through the sky and the electricity flickers, gruesome events start to occur.
I will not describe them in detail, of course, since you will want to be horrified on your own. Although many in the group fear a mad killer is in their midst, and the Busey character is a prime suspect, some of the deaths are so peculiar it is hard to explain them--or to know whether they are murders, or a case of being in the wrong place at the wrong time.
That there is an explanation goes without saying. That I must not hint at it also goes without saying. I think it is possible that some audience members, employing the Law of Economy of Characters, so usefully described in my Bigger Little Movie Glossary , might be able to arrive at the solution slightly before the movie does, but this isn't the kind of movie where all is revealed in a sensational final moment.
The director, James Mangold , and the writer, Michael Cooney , play fair, sort of, and once you understand their thinking you can trace back through the movie and see that they never cheated, exactly, although they were happy enough to point to the wrong conclusions.
A movie like this is an acid test for actors. Can they keep their self-respect while jammed in a room while grisly murders take place, everybody is screaming and blaming one another, heads turn up without bodies, bodies disappear--and, of course, it is a dark and stormy night?
Cusack does the best job of surviving. His character is a competent and responsible person, while all about him are losing their heads sometimes literally and blaming it on him.
I also liked Peet's hooker, who suggests she's seen so much trouble that all of this is simply more of the same. And there is something to be said for the performance of John Hawkes as the motel manager, although I can't say what it is without revealing a secret no, it's not the secret you think.
I've seen a lot of movies that are intriguing for the first two acts and then go on autopilot with a formula ending.
Ingenious, how simple and yet how devious the solution is. Roger Ebert was the film critic of the Chicago Sun-Times from until his death in In , he won the Pulitzer Prize for distinguished criticism.
Rated R For Violence and Language. Sign In. Keep track of everything you watch; tell your friends.
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Crazy Credits. Alternate Versions. Rate This. Stranded at a desolate Nevada motel during a nasty rain storm, ten strangers become acquainted with each other when they realize that they're being killed off one by one.
Director: James Mangold. Writer: Michael Cooney. Available on Amazon. Added to Watchlist. From metacritic. Films divers. Share this Rating Title: Identity 7.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: John Cusack Ed Ray Liotta He shines in anything, he just has some quality that is appealing.
Cusack way overused by now, but in this film was still kind of interesting. It is a fantastic premise that gives nothing away until the end, a sad ending.
People start dying. There are keys. It's very good. Delightfully twisted and then Frightfully twisted! I got half of it right, half way thru Never expected the ending, as creepy as it was, it was awesome.
It's amazingly produced! Great acting, great producing. I don't want to give it way, a definite "must watch". Not for children.
Watch it after they go to bed. Surprisingly excellence in acting by all. It's like all men are the leading men and all the ladies are the leading lady.
The interplay between them is riveting. Setting is haunting. Suspense all the way through the film. Amanda Peet is stunning. Cusack and Liotta never disappoint - they inspire us to trust them, to look to them for leadership but at the same time they are both haunted and spooky and flawed.
It's a great story in itself, but the performances of all the supporting cast that amazed me. While, no doubt, those who made the film are aware of Hitchcock's Motel classic, there is no need for everyone who watchhes to compare that with the Old Man's.
Forget Hitchcock and watch this superior Who Dun It with a fresh mind. It is a good one. The story is simple, and, yes, one might might be reminded, as is one of the characters in this movie, of the Christie based mini-classic starring, among others, Barry Fitzgerald whose title was changed from that of the book to Ten Little Indians look up the title assigned at its birth to see why it was changed.
As I say, the story has a group of people blocked from further travel by flooded highways, staying in a roadside motel, which had been built on land on which, long ago, American Indians had been forced to camp, only to die of starvation and disease.
Among them is a convicted murderer and his guard, who also had been trapped by the flood. After a bit of getting acquainted, trouble begins.
The story is built up neatly, piece by piece, to a surprising denouement and counterpoint. The suspense is nicely graduated so as to keep one attuned with no accumulated fatigue to the end.
This is one where knowing the end will much diminish the pleasure derived from the movie. There is sufficient violence to require care about the maturity of the viewer, but it is nothing compared to the average violent film these days.
See all reviews. Top reviews from other countries. An odd group of misfits are thrown together, in an off the beaten track motel during a torrential down pour.
People start to get bumped off, but all is not what it seems as we delve into the mind of a killer. An interesting film, good performances by all.
A bit confusing at times, but all is explained towards the end of the film with a good twist. One person found this helpful. This has a lot going for it - the inventive non-chronological sequences early on, a great cast, terrific edge-of-the-seat thrills, plenty of suspense and mystery, and lots and lots of heavy rain.
Top marks for creating the right atmosphere!
Amanda Peet. Marshall Bell. And what about the iconographic familiarity of the ten characters who show up seemingly at random and get I Origins Stream off one by one in most Tatort Odenthal ways? Der vermeintliche Zufluchtsort stellt sich jedoch schnell als tödliche Falle heraus. Wir blicken in dieser Special-Reihe zurück auf die Filme vergangener Jahrgänge und bringen diese in eine Reihenfolge: Heute Filme von James Mangold.Delightfully twisted and then Frightfully twisted! I got half of it right, half way thru Never expected the ending, as creepy as it was, it was awesome.
It's amazingly produced! Great acting, great producing. I don't want to give it way, a definite "must watch". Not for children. Watch it after they go to bed.
Surprisingly excellence in acting by all. It's like all men are the leading men and all the ladies are the leading lady. The interplay between them is riveting.
Setting is haunting. Suspense all the way through the film. Amanda Peet is stunning. Cusack and Liotta never disappoint - they inspire us to trust them, to look to them for leadership but at the same time they are both haunted and spooky and flawed.
It's a great story in itself, but the performances of all the supporting cast that amazed me. While, no doubt, those who made the film are aware of Hitchcock's Motel classic, there is no need for everyone who watchhes to compare that with the Old Man's.
Forget Hitchcock and watch this superior Who Dun It with a fresh mind. It is a good one. The story is simple, and, yes, one might might be reminded, as is one of the characters in this movie, of the Christie based mini-classic starring, among others, Barry Fitzgerald whose title was changed from that of the book to Ten Little Indians look up the title assigned at its birth to see why it was changed.
As I say, the story has a group of people blocked from further travel by flooded highways, staying in a roadside motel, which had been built on land on which, long ago, American Indians had been forced to camp, only to die of starvation and disease.
Among them is a convicted murderer and his guard, who also had been trapped by the flood. After a bit of getting acquainted, trouble begins.
The story is built up neatly, piece by piece, to a surprising denouement and counterpoint. The suspense is nicely graduated so as to keep one attuned with no accumulated fatigue to the end.
This is one where knowing the end will much diminish the pleasure derived from the movie. There is sufficient violence to require care about the maturity of the viewer, but it is nothing compared to the average violent film these days.
See all reviews. Top reviews from other countries. An odd group of misfits are thrown together, in an off the beaten track motel during a torrential down pour.
People start to get bumped off, but all is not what it seems as we delve into the mind of a killer. An interesting film, good performances by all.
A bit confusing at times, but all is explained towards the end of the film with a good twist. One person found this helpful. This has a lot going for it - the inventive non-chronological sequences early on, a great cast, terrific edge-of-the-seat thrills, plenty of suspense and mystery, and lots and lots of heavy rain.
Top marks for creating the right atmosphere! But it falls down in two places - it reveals the main plot twist too early.
This revelation almost kills any remaining suspense and interest in further proceedings is almost lost. The whole basis of the movie hangs on this brilliant plot twist and it needed to come right at the end.
However, even with this failing it's still worth a look if you want to see a fast paced intriguing thriller. A lot of people must have thought so too, as at the box office it made approx.
Oh, and the other failing - how could anyone write out the stunning Rebecca De Mornay so early on in a movie! Entertaining yarn with some twists and turns, a group of assorted travellers find themselves holed up overnight in a run down Motel in the middle of nowhere and they are trapped there by a heavy storm and flooded roads, its a bit like the ten little indians story with people getting murdered one by one but who is the killer?
Its actually very watchable, well acted and well put together with some genuine jump out your seat frights here and there, its not your usual cheap slasher movie, its quite a few steps above that because there are a few unexpected twists and turns going on and as the story progresses you realise that actually all is not what it appears, anyway, I wont give the game away here but I bought this movie because I admire the work of actor John Cusak, he never seems to make bad movies and here is no exception, this is very good and an entertaining movie to watch on a rainy evening.
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That I must not hint at it also goes without saying. I think it is possible that some audience members, employing the Law of Economy of Characters, so usefully described in my Bigger Little Movie Glossary , might be able to arrive at the solution slightly before the movie does, but this isn't the kind of movie where all is revealed in a sensational final moment.
The director, James Mangold , and the writer, Michael Cooney , play fair, sort of, and once you understand their thinking you can trace back through the movie and see that they never cheated, exactly, although they were happy enough to point to the wrong conclusions.
A movie like this is an acid test for actors. Can they keep their self-respect while jammed in a room while grisly murders take place, everybody is screaming and blaming one another, heads turn up without bodies, bodies disappear--and, of course, it is a dark and stormy night?
Cusack does the best job of surviving. His character is a competent and responsible person, while all about him are losing their heads sometimes literally and blaming it on him.
I also liked Peet's hooker, who suggests she's seen so much trouble that all of this is simply more of the same. And there is something to be said for the performance of John Hawkes as the motel manager, although I can't say what it is without revealing a secret no, it's not the secret you think.
I've seen a lot of movies that are intriguing for the first two acts and then go on autopilot with a formula ending.
Ingenious, how simple and yet how devious the solution is. Roger Ebert was the film critic of the Chicago Sun-Times from until his death in In , he won the Pulitzer Prize for distinguished criticism.
Rated R For Violence and Language. John Cusack as Ed. Ray Liotta as Rhodes. Amanda Peet as Paris. Alfred Molina as Doctor.
Clea Du Vall as Ginny. Rebecca Demornay as Caroline. John C. McGinley as George York. John Hawkes as Larry.
Lee Scott Robert as Lou William. Jake Busey as Maine. Reviews Identity. Roger Ebert April 25, Now streaming on:. Powered by JustWatch. Now playing.
Identity 2003 Identität - In ihr liegt das Geheimnis
Aber die geteilte Freude über den gefundenen Schutz währt nur kurz: Das Motel entpuppt sich als Falle — und für einige Ist Ja Irre Alarm Im Gruselschloß ihnen zur Grabstätte. Die 50 besten Filme des Jahres As an Amazon Associate I earn from qualifying purchases. Malick überstellt und per Fahrzeug zu dessen Klinik transportiert. Sturm Der Liebe Beatrice Tod Geschehen im Motel repräsentiert das Ringen im Kopf des Angeklagten, in dessen Gedanken alle seine Persönlichkeiten Lobster Movie erste Mal aufeinander trafen und versuchten, die alleinige Sport1 Programm Heute zu gewinnen. Sprachen Englisch. Originaltitel Identity. Produktionsjahr
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