Extended Cut Beispiele aus dem Internet (nicht von der PONS Redaktion geprüft)
Extended Version, seltener Extended Edition oder Extended Cut und häufig auch Special Edition, ist die Bezeichnung einer meist auf DVD oder Blu-ray Disc veröffentlichten Fassung eines Films, die gegenüber der ursprünglichen Kinofassung zusätzliche. Extended Version (engl. erweiterte Fassung), seltener Extended Edition (erweiterte Ausgabe) oder Extended Cut und häufig auch Special Edition, ist die. Viele übersetzte Beispielsätze mit "extended cut" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. von mehr als Ergebnissen oder Vorschlägen für DVD & Blu-ray: Filme: Director's Cut & Extended Edition. von mehr als Ergebnissen oder Vorschlägen für DVD & Blu-ray: Director's Cut & Extended Edition. barberadelnebbioso.eu: Alles erlaubt - Eine Woche ohne Regeln - Extended Cut: Barnett, Kevin, Farrelly, Bobby, Farrelly, Peter, Jones, Pete, Wolfe, Tom, Raval, Manish. Über Blu-ray Filme bei Thalia ✓»Suicide Squad (Kinofassung & Extended Cut) [2 BRs]«und weitere Blu-ray Filme jetzt online bestellen!
Extended Cut Description Video
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Descent Disciples --Vol 9-- [extended cut]Those with money invested in the film, such as the production companies, distributors, or studios, may make changes intended to make the film more profitable at the box office.
This sometimes means a happier ending or less ambiguity, or excluding scenes that would earn a more audience-restricting rating , but more often means that the film is simply shortened to provide more screenings per day.
With the rise of home video, the phrase became more generically used as a marketing term including mediums such as comic books and music albums , neither of which actually have directors , and the most commonly seen form of director's cut is a cut where extra scenes and characters are added in, often making the director's cut considerably longer than the final cut.
Traditionally, the "director's cut" is not, by definition, the director's ideal or preferred cut. Next, the editor's cut is reduced from the rough cut; the editor may be guided by his own tastes or following notes from the director or producers.
Eventually is the final cut , which actually gets released or broadcast. In between the editor's cut and the final cut can come any number of fine cuts, including the director's cut.
The director's cut may include unsatisfactory takes, a preliminary soundtrack, a lack of desired pick-up shots etc.
This is still how the term is used within the film industry, as well as commercials, television, and music videos.
The trend of releasing alternate cuts of films for artistic reasons became prominent in the s; in , the "director's cut" of The Wild Bunch was shown theatrically in Los Angeles to sold-out audiences.
Other early examples include George Lucas 's first two films being re-released following the success of Star Wars , in cuts which more closely resembled his vision, or Peter Bogdanovich re-cutting The Last Picture Show several times.
Charlie Chaplin also re-released all of his films in the s, several of which were re-cut Chaplin's re-release of The Gold Rush in the s is almost certainly the earliest prominent example of a director's re-cut film being released to the public.
A theatrical re-release of Close Encounters of the Third Kind used the phrase "Special Edition" to describe a cut which was closer to Spielberg's intent but had a compromised ending demanded by the studio.
As the home video industry rose in the early s, video releases of director's cuts were sometimes created for the small but dedicated cult fan market.
Los Angeles cable station Z Channel is also cited as significant in the popularization of alternate cuts. Early examples of films released in this manner include Michael Cimino 's Heaven's Gate , where a longer cut was recalled from theaters but subsequently shown on cable and eventually released to home video; James Cameron 's Aliens , where a video release restored 20 minutes the studio had insisted on cutting; James Cameron 's The Abyss , where Cameron voluntarily made cuts to the theatrical version for pacing but restored them for a video release; Shim Hyung-rae 's Yonggary , where Shim made cuts to the theatrical version for how close to the American Godzilla it was and added in aliens and another monster, Cyker.
That version was released stateside as Reptilian and, most famously, Ridley Scott 's Blade Runner , where an alternate workprint version was released to fan acclaim, ultimately resulting in the recut, the first film to use the term "Director's Cut" as a marketing description and the first time it was used to describe a cut that the director was not involved in preparing.
Once distributors discovered that consumers would buy alternate versions of films, it became common for films to receive multiple releases.
There is no standardization for labelling, leading to so-called "director's cuts" of films despite where the director prefers the theatrically released version, or when the director had actual final cut privilege.
These were often assembled by simply restoring deleted scenes, sometimes adding as much as a half-hour to the length of the film without regard to pacing and storytelling.
As a result, the "director's cut" is often considered a mixed bag, with an equal share of supporters and detractors. Roger Ebert approved of the use of the label in unsuccessful films that had been tampered with by studio executives, such as Sergio Leone 's original cut of Once Upon a Time in America , [2] and the moderately successful theatrical version of Daredevil , [ citation needed ] which were altered by studio interference for their theatrical release.
Sometimes the term is used a marketing ploy. For example, Ridley Scott states on the director's commentary track of Alien that the original theatrical release was his "director's cut", and that the new version was released as a marketing ploy.
It's a cut the director didn't want, an earlier cut that was junked. They assume because it was longer that it's a director's cut.
Capra cut two reels off Lost Horizon because it didn't work and then someone tried to put it back. There are certainly mistakes and stupidities in reconstructing pictures.
This generally happens when a distributor insists that a film be completed in order to meet a release date, but sometimes it is the result of removing scenes that the distributor insisted on inserting, as opposed to restoring scenes they insisted on cutting.
Another way that released director's cuts can be compromised is when directors were never allowed to even shoot their vision, and thus when the film is re-cut, they must make do with the footage that exists.
His director's cut of the film includes, among other things, screen test footage of stars Christopher Reeve and Margot Kidder , footage used in the first film, and entire scenes that were shot by replacement director Richard Lester which Donner dislikes but were required for story purposes.
Some directors explicitly dislike the phrase "director's cut" because it implies that they disapprove of the theatrically released cut.
James Cameron and Peter Jackson are two directors who publicly reject the label, preferring "extended edition" or "special edition".
While Jackson considers the theatrical releases of the Lord of the Rings and Hobbit trilogies to be a final "director's cut" within the constraints of theatrical exhibition, the extended cuts were produced so that fans of the material could see nearly all of the scenes shot for the script to develop more of J.
Tolkien 's world but that were originally cut for running time or other reasons. New music and special effects were also added to the cuts.
Cameron specified "what I put into theaters is the Director's cut. Nothing was cut that I didn't want cut.
All the extra scenes we've added back in are just a bonus for the fans. See Changes in Star Wars re-releases and E. Extended or special editions can also apply to films that have been extended for television or cut out to fill time slots and long advertisement breaks, against the explicit wishes of the director, such as the TV versions of Dune , The Warriors , Superman and the Harry Potter films.
Batman v Superman: Dawn of Justice was released March 25, , an extended cut dubbed the "Ultimate Edition", which features 31 minutes of additional footage, was released digitally on June 28, , and on Blu-ray on July 19, The film Caligula exists in at least 10 different officially released versions, ranging from a sub minute television edit version of TV later TV-MA for cable television to an unrated full pornographic version exceeding 3.
The Extended Cut is no improvement. At least since here, The Punisher is too long. A bunch of new scenes running minutes are featured in the Extended Cut, making it minutes long.
If you add the animated intro, running Minuten , you get Saint is amused by how accepted he is in the high society of Tampa.
His wife enjoys this kind of lifestyle as well. Then you see Saint's sons in another room. One of them heard about the deal that is supposed to go down in an industrial area later and he is worried that his brother Bobby wants to go there without backup.
Their father surely wouldn't want that. He has a few extra moments with his friend, they talk about Iraq and the watch, that Frank gave to Jim 13 years ago and now he gets one from Jim as a farewell gift.
When Frank walks away, he shouts back to Jim, that he please should stay away from casinos. He additionally learns about James Weeks's gambling problems and decides to get to those responsible for Bobby's death through him.
Howard is a first time guest and both of the brothers are a little insulted because Howard didn't invite them to his place in the last ten years, although they are part of the high society as much as Howard.
Howard, who's without a doubt only interested in business relations and not friendships, directly addresses his dead son, without responding to small talk.
The situation remains tense. The you see Weeks outside of the casino. The younger Torro offers to kill him immediately.
But Howard only wants to talk to him to learn who's responsible for Bobby's death. Weeks is lead into a side room and confronted with his gambling debts and forced into revealing Frank Castle's identity by possibly getting blamed with embezzlement.
Weeks tries to convince Frank to leave the town and let him search for his family's killers. Frank refuses and wonders, what happened to Weeks's Porsche, which he has exchanged for a cheap American car.
Frank doesn't know yet that he had to do it in order to pay his gambling debts. Frank tells Weeks, that he wants to leave town, but he doesn't know where to go yet.
Frank notices that Weeks's watch is gone. When Weeks notices this, he says, that he has to leave immediately. Frank starts to suspect, that Weeks has something to do with the murder of his family.
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